Open House @ CML Studios - Saturday June 28, 2008
Bring your BCs for our Free Bookings / Equipment Rental Raffles
RSVP:
Name:
Email:
Telephone:











Camera
DVX100A
The AG-DVX100 shattered conventional notions of what a DV camera-recorder could do, delivering image quality, functions and operating ease suitable for professional applications. Aa the first model in its class to offer the 24p/30p Cinema mode, the AG-DVX100 was particularly well received by film makers and image creators. Now Panasonic introduces the AG-DVX100A.

This advanced new model takes the DV camera a big step forward, retaining the popular features of its predecessor while adding enhancements that reflect feedback from professionals who used the AG-DVX100. The AG-DVX100A offers higher image quality and more functions than its predecessor. Even more important, it provides high-level specifications and design improvements thatcater to the needs of professional camera operators. Mobile, versatile and easy to use, the Diamond Graphite AG-DVX100A has everything you need for creative production and active image gathering.

Features
C1/3" 3-CCD Mini-DV camcorder with exclusive CineSwitch™ technology
Outstanding sensitivity: F11 @2000 lux, min illumination: 3 lux (at +18dB)
Supports 480i/60 (NTSC), Cinema-style 480p/24fps, and 480p/30fps image capture
Precision wide-angle Lens with Servo/Manual Zoom (with stops & barrel markings)
Auto/Manual Focus f1.6 with 72mm filter size. Advanced optical image stabilization
Conventional 4:3 aspect ratio and 16:9 letterbox image capture modes
Conventional video gamma and Cine-like Gamma operational modes
2-ch. XLR audio inputs with phantom power supply (+48V) and manual audio levels
Large centrally located pivoting electronic viewfinder usable for left or right eye
Flip-out 270° 3.5" LCD panel with superimposed audio metering on both LCD & EVF
Six Scene Files
S-Video, Video & Stereo Audio IN & OUT
IEEE-1394 FireWire™ interface (in/out) for transfer of digital video/audio to NLE platforms
Interval (Time Lapse) recording with adjustable record duration and interval time
Unique pre-cleaning heads and auto head cleaning to maximize reliability
Well balanced and highly portable: 4.4 pounds in full operating condition
Rugged Magnesium Alloy Diecast Chassis

Specifications
Slow Shutter
- 24P - 1/6, 1/12
-
30P - 1/4, 1/8, 1/15
-
60i - 1/4, 1/8, 1/15, 1/30
Electronic Viewfinder (.44-inch): BW / Color (switchable)
Edge enhancement for easy focusing: Peaking (switchable on/off) in EVF and 3.5" LCD
Gamma Settings (Up to 7 choices): L, M, H, CINE-LIKE, + CINE-LIKE D, CINE-LIKE V & Black Press
Knee: Auto, Low, Mid, High
Color Matrix settings: Norm, Enriched, Flour, Cine
Vertical Detail Level in Progressive: Thin, Mid, Thick
Camera Gain in Progressive: Up to +12dB
Auto Focus Assist: Interlace and Progressive modes: Built-in SMPTE Color Bar: Interlace and Progressive modes
16 x 9 Anamorphic: Letterbox and Digital Squeeze
Three User-programmable Buttons: Assignable to any one of 11 functions
New Prism: More realistic Color reproduction
MOD (Minimum Object Distance): 0.6 Meter
Zebra Settings (2): 80% - 105%
Scene File Dial (CineSwitch™): Raised guard protects against unintentional changes: Focus/Zoom manual tactile feel: More Dampened response
Power Zoom Speed (Slowest): 30 seconds
Interval Recording Time Minimum: Every 15 seconds
Color Level, Brightness & Contrast Adjustment: Separate LCD & EVF settings
Headphone output: Increased to +6dB, and volume active in Record mode
Marker Zone: 0-99 and smaller spot Zone
Lens Cap: New more convenient design
EVF eyepiece lens: Harder material that won’t easily scratch
Paint Color: Diamond Graphite & Black

Camera Tripod
503 PRO VIDEO HEAD:
The 503 head has the best Price/Performance ratio of any fluid head on the market today. Designed for payloads up to an ample 13 lbs. The light but positive fluid movement provides exceptionally smooth control. The new drag adjustment device is continuous, from 0 to maximum level, allowing very fine control of the movements.

The 503 Pro Video Head also features a quick-release sliding plate with VHS pin, a single pan handle and a flat base with 3/8" tripod mount.

Designed to support the latest professional digital video cameras, particular care has been taken to achieve the best combination between fluid and friction to allow the smoothest possible pans and tilts. The head is also equipped with a built in balance spring to help to support the camera weight.

3246 TRIPOD
Strong, sturdy and reliable, the 3246 tripod is the ideal studio tripod. The geared center column has a non roll-black feature and has a threaded 3/8" mount on the bottom of the column to allow low-angle shots. Twin shark leg design, built-in spirit level and rubber feet with retractable spikes.

Applications
Bogen 503 Head

Maximum Load Capacity: 13.3 lbs
Head Height: 4.1 inches
Pan: 360°
Pan Drag: continuosly adjustable
Independent Pan Lock: Yes
Pan Handle: 1
Tilt: +90° -60°
Tilt Drag: continuosly adjustable
Independent Tilt Lock
QR Plate Supplied: 3433PL
Weight: 3.52 lbs
Bogen 3246 Tripod
Material: Aluminum
Column Type: Geared
Max Height w/extended center column: 89.4 inches
Max Height: 70.5 inches
Minimum Height: 30.4 inches
Closed Length: 32.3 inches
Leg Sections: 3
Leg Diameter: 25, 20, 19 mm
Foot Type: Rubber feet w/ retractable steel spike
Maximum Load Capacity: 26.5 lbs
Head Mount: 3/8" threaded mount
Leveling Bubble: Yes
Weight: 9.2 lbs
Zoom Controller
Applications
Dual zoom controls
Zoom in at one speed, zoom out at another
Record/pause
Silent operational controls for clean audio
V-block swing away clamp
Slope & flat mounts
Extra Velcro® included
12' lanc extension cable
25' lanc extension cable
Made in USA s

Control Your Camera From Afar
Included free of charge with every Zoom Commander® DVX are twenty five foot and twelve foot extension cables. Just attach one or both of these to the end of the controller's six foot cable and you can control the camera from a distance. You can also purchase additional zoom controller extension cables as long as one hundred feet. Use them in any number of limited access situations. You can also use two Zoom Commander® DVXs to control two cameras from one location.

Special Construction
The Zoom Commander® DVX housing and attachment plates and clamp are all black anodized aluminum alloy, and very light and compact. The push buttons are square and separate, and each intentionally only performs one camera action (that way you can't slip the wrong way as you might on a dual function rocker switch).The push buttons are also extremely tactile, and arranged in a logical grid, so your thumb can easily find the right button by feel-- so you'll always know exactly where to push.

The Zoom Commander® DVX places exceptionally smooth and reliable record and dual zoom controls right under your thumb- all wired directly into the control jack. This lets you control these essential camera functions, and the tripod handle with the same hand--- without having to operate your DVX camcorder with the opposite hand with the controls suddenly on the opposite side of the camera. This also leaves your other hand free for mics and other things. and keeps your hands away from the camcorder, so you won't ever nudge or jostle your camera in the midst of a take, or record audio of your fingers brushing the mic or other camcorder parts.

Two Complete Sets of Zoom Controls, Each With Variable Speed Presets
Get the zoom speed exactly right every time. With our two complete sets of zoom controls, you can preset each set to different speeds, and have two reliable and repeatable zoom speeds right under your thumb. No fumbling with rockers, variable throttles, or other pressure sensitive zoom controls that make you guess how far to press to get the zoom speed you need. And no more having to keep it pressed down exactly right to maintain an even zoom speed. Preset the speeds (rehearse them if you like) and get zoom speeds that repeat evenly and precisely each and every time. Each set of zoom buttons has two continuously variable speed set dials, one for zoom in speed, one for zoom out speed, so set any of them anywhere you like.

Versatile Positioning and Lightning Quick Attach and Detach
With two mounting plates included, you can mount the Zoom Commander® DVX flat on the tripod handle or mount it tilted upward, whichever is most comfortable for you (this also makes it easier to adapt to your shoulder brace). The mounting plates and Zoom Commander® DVX each have Velcro® attachment pads, so you can attach the Zoom Commander® DVX vertically, horizontally, even diagonally, orienting the controls exactly the way you like them. And, of course, the Velcro® lets you detach just the controller in a flash, and put it back in a flash, without having to undo the clamp. The clamp itself utilizes two solid aluminum v groove blocks and screws down snug on the tripod handle or elsewhere and stays put. When you want to move the Zoom Commander® DVX to another tripod or other piece of gear, the swing away block also lets you disconnect the entire DVX zoom controller and clamp without having to unscrew and completely disassemble the clamp (and without having to reassemble it when you move it back).



Web Site
About us

CML Studios is ideal for any video production or photography shoot including music videos, shorts films, commercials, casting calls, instruction videos, modeling sessions, corporate videos and commercial photography shoots.
Request Quote

Inform us of the type of project you are looking to get produced and we will be more than happy to give you a quote over email within a few hours or immediately by calling (818) 255-1707.
Productions

CML Studios serves as an ample, flexible location for any sort of production such as music videos, commercials, green screen shoots, instructional videos and much more. The following productions used many of our on-site equipment and amenities such as lights, green screen, grip gear, flats and cyc wall.
Copyright © 2007 CML Studios. All Rights Reserved.
Home  |  About us  |  Contact us  |  Equipment  |  Productions  |  Services  |  Pricing  |  Clients  |  Links  |  Photos  |  Testimonials  |  Quote